HOME(SWEET)HOME: Actually not that sweet, duo w Vita Buivid, 2024, Arti et Amicitiae, Amsterdam

_{Opening pictures below; credits Laura Fortuin}

_{Special thanks to: Amsterdams Fonds voor de Kunst, Cultuurfonds, Mondriaan Fonds}

Unseen: Singular Art Gallery, booth 26, 2024, Westergasfabriek Amsterdam

^{Videostill with Cornets box, 2022-2024, print on forex, Cornets box,
27 x 21.3 x 17.7 cm}
_{For Unseen article in Dutch by Flor Linckens: click here}

^{New work made for Unseen: Photo of Paul sleeping, Friday 24 June, 6:54 PM, 2020, Jan Lievensstraat (De Liefjes), Amsterdam and Photo of Victim 32, died during the eruption of Vesuvius in AD 79, casted in plaster on 16th March 1957, photo taken on 6 May, 9:14 AM, 2024, outside Porta Nocera, Pompeï, 2024, giclée print on Hahnemühle paper, 40 x 50 cm}_{More info/ catalogue: click here}

Art Rotterdam: Prospects 2024, Van Nellefabriek Rotterdam

_{Credits: Beeldsmits}

Homeward Bound, 2023
Sally’s Fault, Amsterdam w Singular Art Gallery

_{A duo show with Niko Lee Gail Démoed, Credits: JW Kaldenbach}

_{Groupshow, 2023
Springboard Art Fair, Werkspoorkathedraal Utrecht}

Curated by Nina Folkersma, showing together with Diana Gheorghiu, Zuza Banasińska, Ischa Kempka and Tia Yoon

Groupshow, 2022
De Cacaofabriek, Helmond

Screening De Eetkamertafel (The Dining Table)
^{Thanks to Zuiver, Manus Groenen, Biek van Bree en Julienne Tullemans}_{Credits: Suzan van der Loo, Paul Bogaers}

Family Works, 2022, solo show
De Fabriek Eindhoven

_{The green wallpainting shows an enlarged version of the fairtytale that Eleye wrote herself at the age of seven the very same month her parents divorced. Find the English translation on white paper in the slideshow. notes for the translation //
Suzan van der Loo, Eleye’s ouder, hielp mee aan het maken van de muurschildering waarop een sprookje is uitvergroot dat Eleye schreef als 7-jarige in dezelfde maand als de scheiding van haar ouders.}

_{Grandpa Pieter playing the clarinet and grandma Nellie the flute// Opa Pieter

op klarinet en oma Nellie op blokfluit}

The works in the exhibition investigate family, the loss of childhood and changing family relationships. Visitors were able to meet family members in real life in the exhibition. They normally only show up as subjects in the works.

--> Curator Fabienne Chiang wrote the exhibition text:
Click here for English version //

--> Curator Fabienne Chiang schreef de tentoonstellingstekst:
Klik hier voor de Nederlandse Vertaling

^{Thanks to Paultje, Dieke Venema, Koen Dijkman (De Fabriek), Fabienne Chiang (writer/ curator), Suzan van der Loo, Twan Goevaerts, Pieter en Nellie van der Loo, Rietje Koppens, Harrie Boerenkamps, Loriën Boerenkamps, Vera Meulendijks, Jo en Riek Boerenkamps (family), Ferdinand Kokou Makouvia, Mart van Bree, Paul Bogaers (friends)}
^{Past: 5 - 12 August 2022

Supported by the Mondrian Fund, Cultuur Eindhoven and Kunstloc //

Deze tentoonstelling is mede mogelijk gemaakt door het Mondriaan Fonds, Cultuur Eindhoven en Kunstloc.}

_{Credits: Peter Cox, Paul Bogaers and Niek Tijsse Klasen}

2022, Ass-Works, solo
BRUTUS Rotterdam

The exhibition was accompanied by a text written and recorded by philosopher Simon(e) van Saarloos

What if the foamboard was stone

Text design: Dongyoung Lee
People in the pictures: Dieke Venema and Dewi Baggerman

_{The Ass-Works debuted at BRUTUS, Rotterdam.

Click here for info on the Brutus website}
_{Past: 16 June - 17 July 2022}

_{Credits: Beeldsmits, Suzan van der Loo}

We no longer live at number 8, 2021, solo, Daily Practice Rotterdam

In this exhibition works were shown relating to the house and family Eleye grew up in. // In deze tentoonstelling worden werken getoond die gaan over het huis en de gezinsleden waarmee Eleye opgroeide.

Find exhibition text here, written by Suzanne Weenink, translated by Moosje M. Goosen

_{Many thanks to Suzanne Weenink

Click here for info on the Daily Practice website}
_{Credits: Beeldsmits}

Offspring 2020/Zigzag, 2020
De Ateliers Amsterdam

curated by Fabian Schöneich

This exhibition concluded two years of working at post-academic institute De Ateliers in Amsterdam. Various works show the different media, materials and people that take part in Eleye’s practice. For example the nightstand piece, a collected object from the family home, a short experimental film portraits her relationship with her mother in a conflict about the family table. The swearwords often used by her father and a monumental picture of the father’s torso with relationship tattoo, he and her mother still wear after their divorce, stands in the middle of the space.

_{Find catalogue text here}

Deze tentoonstelling rondde de tweejarige werkperiode af waarin Eleye werkte bij de post-academische instelling De Ateliers in Amsterdam. In deze tentoonstelling zijn werken gekozen die de verschillende materialen, technieken en personen laten zien die een rol spelen in Eleye’s werk. Een voorbeeld is het nachtkastje waar haar broertje naast is geboren en De Eetkamertafel (2020), waarin de relatie tussen haarzelf en haar moeder zichtbaar wordt in een conflict over de familietafel. Verder toonde ze de scheldwoorden van haar vader en een monumentale foto met zijn torso met een relatie tattoo van haar gescheiden ouders, staat in het midden van de ruimte.
_{︎ de-ateliers.nl (post-academic institute Amsterdam)

︎ Fabian Schöneich (curator)}

_{Credits: G.J. van Rooij}

Ass 2, 2020 78.5 x 74.4 x 14 cm print on fleece wallpaper on forex plate between two wooden beams

Ass 3 (blue and red), 2020, 149.8 x 101.2 x 13 cm print on fleece wallpaper on sandwich foamboard between two wooden beams

Ass 6 (chair), 2020 266 x 148 x 50.5 cm print on fleece wallpaper on sandwich foamboard with chair and towel hook

Ass 2, 2020
78.5 x 74.4 x 14 cm
print on fleece wallpaper on forex plate between two wooden beams

Ass 3 (blue and red), 2020,
149.8 x 101.2 x 13 cm
print on fleece wallpaper on sandwich foamboard between two wooden beams

Ass 6 (chair), 2020
266 x 148 x 50.5 cm
print on fleece wallpaper on sandwich foamboard with chair and towel hook