Unseen: Singular Art Gallery, booth 26, 2024, Westergasfabriek Amsterdam
Videostill with Cornets box, 2022-2024, print on forex, Cornets box, 27 x 21.3 x 17.7 cm For Unseen article in Dutch by Flor Linckens: click here
New work: Photo of Paul sleeping, Friday 24 June, 6:54 PM, 2020, Jan Lievensstraat (De Liefjes), Amsterdam and Photo of Victim 32, died during the eruption of Vesuvius in AD 79, casted in plaster on 16th March 1957, photo taken on 6 May, 9:14 AM, 2024, outside Porta Nocera, Pompeï, 2024, giclée print on Hahnemühle paper, 40 x 50 cm
More info/ catalogue: click here
Overview of our booth 26, showing together with Niko Lee Gail Démoed (nudes) & Esmée Bruins (work with steel plate on plastic chair + blue work in the corner) with Singular Art Gallery (Emiel van der Pol) 
HOME(SWEET)HOME: Actually not that sweet, duo w Vita Buivid, 2024, Arti et Amicitiae, Amsterdam
an duo-installation by Vita Buivid & Eleye Boerenkamps
Credits opening pictures: Laura Fortuin
Special thanks:
Amsterdams Fonds voor de Kunst, Cultuurfonds, Mondriaan Fonds
Art Rotterdam: Prospects 2024, Van Nellefabriek Rotterdam
Credits: Beeldsmits
Homeward Bound, 2023
Sally’s Fault, Amsterdam w Singular Art Gallery
A duo show with Niko Lee Gail Démoed, Credits: JW Kaldenbach
Groupshow, 2023
Springboard Art Fair, Werkspoorkathedraal Utrecht
Curated by Nina Folkersma, showing together with Diana Gheorghiu, Zuza Banasińska, Ischa Kempka and Tia Yoon
Groupshow, 2022
De Cacaofabriek, Helmond
Screening De Eetkamertafel (The Dining Table)
Thanks to Zuiver, Manus Groenen, Biek van Bree en Julienne Tullemans
Credits: Suzan van der Loo, Paul Bogaers
Family Works, 2022, solo show
De Fabriek Eindhoven
The green wallpainting shows an enlarged version of the fairtytale that Eleye wrote herself at the age of seven the very same month her parents divorced. Find the English translation on white paper in the slideshow. notes for the translation //
Suzan van der Loo, Eleye’s ouder, hielp mee aan het maken van de muurschildering waarop een sprookje is uitvergroot dat Eleye schreef als 7-jarige in dezelfde maand als de scheiding van haar ouders.
Grandpa Pieter playing the clarinet and grandma Nellie the flute// Opa Pieter
op klarinet en oma Nellie op blokfluit
op klarinet en oma Nellie op blokfluit
This 7-week residency project was concluded with this solo show. The works in the exhibition investigate family, the loss of childhood and changing family relationships. Visitors were able to meet family members in real life in the exhibition. They normally only show up as subjects in the works.
--> Curator Fabienne Chiang wrote the exhibition text:
Click here for English version //
--> Curator Fabienne Chiang schreef de tentoonstellingstekst:
Klik hier voor de Nederlandse Vertaling
Huge thanks to Paultje, Dieke Venema, Koen Dijkman, Fabienne Chiang, Suzan van der Loo,
Twan Goevaerts, Pieter en Nellie van der Loo, Rietje Koppens, Harrie Boerenkamps,
Loriën Boerenkamps, Vera Meulendijks, Jo en Riek Boerenkamps, Ferdinand Kokou Makouvia,
Mart van Bree, Paul Bogaers
Past: 5 - 12 August 2022
This show was supported by the Mondrian Fund, Cultuur Eindhoven and Kunstloc //
Deze tentoonstelling is mede mogelijk gemaakt door het Mondriaan Fonds, Cultuur Eindhoven en Kunstloc.
Credits: Peter Cox, Paul Bogaers and Niek Tijsse Klasen
2022, Ass-Works, solo
BRUTUS Rotterdam
The exhibition was accompanied by a text written and recorded by philosopher Simon(e) van Saarloos
What if the foamboard was stone
Text design: Dongyoung Lee
People in the pictures: Dieke Venema and Dewi Baggerman
What if the foamboard was stone
Text design: Dongyoung Lee
People in the pictures: Dieke Venema and Dewi Baggerman
The Ass-Works debuted at BRUTUS, Rotterdam.
Click here for info on the Brutus website
Past: 16 June - 17 July 2022
Credits: Beeldsmits, Suzan van der Loo
We no longer live at number 8, 2021, solo, Daily Practice Rotterdam
In this exhibition works were shown relating to the house and family Eleye grew up in. // In deze tentoonstelling worden werken getoond die gaan over het huis en de gezinsleden waarmee Eleye opgroeide.
Find exhibition text here, written by Suzanne Weenink, translated by Moosje M. Goosen
Many thanks to Suzanne Weenink
Click here for info on the Daily Practice website
Credits: Beeldsmits
Offspring 2020/Zigzag, 2020
De Ateliers Amsterdam
curated by Fabian Schöneich
This exhibition concluded two years of working at post-academic institute De Ateliers in Amsterdam. Various works show the different media, materials and people that take part in Eleye’s practice. For example the nightstand piece, a collected object from the family home, a short experimental film portraits her relationship with her mother in a conflict about the family table. The swearwords often used by her father and a monumental picture of the father’s torso with relationship tattoo, he and her mother still wear after their divorce, stands in the middle of the space.
Deze tentoonstelling rondde de tweejarige werkperiode af waarin Eleye werkte bij de post-academische instelling De Ateliers in Amsterdam. In deze tentoonstelling zijn werken gekozen die de verschillende materialen, technieken en personen laten zien die een rol spelen in Eleye’s werk. Een voorbeeld is het nachtkastje waar haar broertje naast is geboren en De Eetkamertafel (2020), waarin de relatie tussen haarzelf en haar moeder zichtbaar wordt in een conflict over de familietafel. Verder toonde ze de scheldwoorden van haar vader en een monumentale foto met zijn torso met een relatie tattoo van haar gescheiden ouders, staat in het midden van de ruimte.
︎ de-ateliers.nl (post-academic institute Amsterdam)
︎ Fabian Schöneich (curator)
Credits: G.J. van Rooij