Exhibition views                                             

We no longer live at number 8 (solo) 2021, Daily Practice Rotterdam


This exhibition is inspired by works that relate tot the house and family members Eleye grew up with.

Deze tentoonstelling is geïnspireerd op werken die gaan over het huis en de gezinsleden waarmee Eleye opgroeide. 



      
















List of works/ Lijst van werk:

Mam’s Arm (Mom’s arm), 2021
180 x 92.3 x 32 cm
print on sandwich foamboard, wood, angle bracket and screws


Pap’s Arm (Dad’s arm), 2020
194 x 142.3 x 45.4 cm
print on fleece wallpaper on sandwich foamboard, brick, beam, angle brackets, washers and screws


Portrait of figure with picture in face, 2019,
118.8 x 79 x 5.1 cm
acrylic marker, cardboard, screws and washers on wooden frame

Foto met Elmex doos (Photo with Elmex box), 2020
21 x 10 x 10 cm
photo, Elmex box, picture hanger and nail
(in private collection)

Pap met oma Rietje’s vinger (Dad with grandma Rietje’s finger), 2020
17 x 24 x 9.4 cm
construction foam, picture, pins, plaster and spray paint

Family portrait, 2019
21 x 34 x 3.5 cm
cutlery, photographs, paper print, nails and wooden beam




Photos: Beeldsmits


Many thanks to Suzanne Weenink

Find exhibition text here
                                                                             
︎ dailypractice.nl
                                                                                   
                                                                               
 
   

Offspring 2020/Zigzag, curated by Fabian Schöneich, De Ateliers Amsterdam


This Offspring exhibition concluded two years of working and receiving generous support at post-academic institute De Ateliers in Amsterdam. For the exhibition a range of various media and people are shown that Eleye works with. For example her brother Loor (that was born next to the nightstand) where photography, text and collected objects are combined, and the Dining Table film in which a conflict happens between her and her mother about a table. The swearwords often used by her father hang onto the wall and a monumental picture of his torso with relationship tattoo, he and her mother still wear after their divorce, stands in the middle of the space.

Deze tentoonstelling rondde de tweejarige werkperiode af waarin ze werkte en genereus werd ondersteund bij de post-academische instelling genaamd De Ateliers. In deze tentoonstelling zijn werken gekozen die de verschillende materialen, technieken en personen laten zien die een rol spelen in Eleye’s werk. Een voorbeeld is het nachtkastje waar haar broertje naast is geboren waar fotografie, tekst en een bestaand object worden gecombineerd, of de Eetkamertafel film, waarin een conflict ontstaat doordat de kunstenaar de tafel van haar moeder wil hebben. 















photos: G.J. van Rooij

List of works:

Pap’s Arm (Dad’s arm), 2020, 194 x 142.3 x 45.4 cm
print on fleece wallpaper on sandwich foamboard, brick, beam, angle brackets, washers and screws

De Eetkamertafel (The Dining Table), 2020, 1920 x 1080, video in loop, colour, HD, AAC, 11:50 min

Godnakend, Oetlul & Huppelkut, 2020, various dimensions, wood and screws (in various private collections)

When casting daddy’s feet, 2019, 15 x 76.8 x 50.7 cm
plaster and pen on paper on wooden closet shelf


Loor has been born next to this nightstand, 2020, 170 x 95.5 x 39 cm nightstand, round metal bar, four screw eyes, iron wire, four screws, acrylic marker and photos on wood (in collection Joep van Lieshout)


︎ de-ateliers.nl (post-academic institute Amsterdam)

︎ Fabian Schöneich (curator)